The fairy tale house paint by number has actually been drawn for a long time, but it has never been shared. This time it is a "recording and broadcasting".
It can be regarded as a commemoration of my first paint by numbers, and since then I have become a faithful believer of Eudian Dafa. . .
The unattainable realm, even the line drafts of the mathematics family, can only be roughly refined, not to mention the free shipping.
The following is the painting process
Start with the line draft
I chose the sky first, because the sky is the farthest background of this picture. My drawing process is neither by number nor by area, but by the principle of background first and foreground. In this way, objects in the foreground can be superimposed on the background, with more distinct levels, without the obvious distinction between color blocks drawn by numbers.
Next, I completed the clouds in the sky and the pink trees in the background. At that time, I didn't know how to fade, I just scanned the colors when I tried to paint yellow and pink, and made a simple transition. In addition, the pink trees also play freely, adding some details to the large area of simple color blocks.
Next, I painted the blue sky, along with the blue door and some flowers. At this point, the background of the sky is basically completed, and the next level of trees is drawn.
Generally speaking, in order to figure out the levels of trees, the background is first painted, the foreground is second, and finally the branches are decorated. First paint dark green, then light green, and finally yellow-green.
At this time, along with the green leaves, I also began to paint the lawn in front of the house. First, I painted the darkest grass in the foreground. Later I found that it was wrong. If I continue painting like this, the grass in the distance is pressed on top of the grass in the near scene. There was a problem, so even if I adjusted, I first painted the vision grass, and then moved forward layer by layer to paint the close-up grass. It is very important to distinguish the relationship between the foreground and the close-up. Some friends' paintings always feel awkward, but there are reasons that cannot be explained. The eight achievements are to paint the background on top of the foreground.
The grass and trees are completed while enriching some details. Next, start drawing the bricks and brick joints of the house. Or is it a matter of foreground and background, should I draw the bricks first or the cracks? Depending on the kind of effect you need, if you need to highlight the uniform wall effect, you should sew the bricks first, and if you want to highlight the effect of the cement overflowing the brick joints, you can consider the bricks first and then sew.
Everyone thinks that hooking is difficult. If you sew first and then brick, it is not a problem if the hooking is thicker or the edges are out of the way. It is naturally covered when drawing the bricks. Let's start drawing the lights, using a little gradient effect.
The painting method of the flower bushes is also the same. First draw the dark background color, and then the flowers that are not of any color will bloom on the background color. The painting is awkward.
It is still the adjustment of flowers and some details, and the roof has also come out. In fact, the roof is not the most foreground of this painting. The most foreground is the grass, but the post-painting of the roof has no effect because the roof and the grass do not overlap. The principle of first background and then foreground applies as a whole, but also locally.
Add the smoke below, use some gradients, and finally outline the wooden strips of the windows. Do the final details and finish.
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